Something That’s Changed Yet Never Changes (Neon mountain)
2024
12 x 9”
Oil on canvas
Transient
2023-24
57 x 30”
Acrylic on canvas
The landscape depicted in Transient draws inspiration from a rural town in Japan where Shirley once resided. From the vantage point of a peak overlooking this town, a peculiar feeling emerged—a blend of familiarity tinged with distance. There was a palpable concern about disconnecting from the broader world, along with a glimmer of optimism for gaining greater control over one’s own life. Whether from the literal perspective of a bird's-eye view or the existential viewpoint of a perpetual traveler and temporary dweller, the town embodies an ambiguous realm where one might lose oneself in the immediacy of the moment yet also discover the impetus to expand horizons, to either move forward or find solace in stillness.
Everything that Exists is Matter?
2024
24 x 30”
Acrylic on canvas
Diver and the Untitled
2024
11 x 14”
Acrylic on paper
That Person is still Here
2024
11 x 14”
Acrylic on paper
Sea Creature
2023
8 x 8 x 8"
Clay, acrylic paint, glass
Larch Party
2023
36 x 24”
Acrylic on wood
Larch Party is part of the series “Incongruity”. It is inspired by a translated quote from writer Kōtarō Isak. The quote—"Unique animals are being protected; unique people are being isolated"—resonated deeply, highlighting the complexity and contradictions inherent in human nature, mirroring the world around us. Often, uniqueness elicits avoidance rather than acceptance.
The series began with seven paintings, including images such as a lone woman in a mountainscape, a blurred figure running toward a valley, and two figures set against an ambiguous backdrop. The creative philosophy does not aim to provide definitive answers; rather, it seeks to provoke thought about the nuances of truth and perception. Is the figure being consumed by the dark foreground, or is it running toward the bright valley? Are the wolves truly in the field, or is the field still within the room, therefore the wolves are in fact “in the room”?
The intention behind the "Incongruity" collection is not to advocate for the protection of uniqueness itself, but to stimulate contemplation on solitude, contrast, and the profound serenity that can emerge from embracing diversity and incongruity. The series culminates with Larch Party, using larches—the rare deciduous conifer—as a motif. This painting incorporates multiple figures, each with distinct gestures and identities, suggesting the conclusion of the series.
The series continues below.
Private Room (above)
2023
12 x 3”
Acrylic on wood
Distance Between Us 2 & 1 (below)
2023
12 x 16” each
Acrylic on wood
And the Valley Floor
2022
20 x 16”
Acrylic on wood
At the Base of the Mountain
2022
20 x 20”
Acrylic on wood
Wolves in the Field
2022
28 x 16” (two boards)
Acrylic on wood